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THE ABSOLUTE SOUND, issue 126, Oct./Nov.'2000
Fred Kaplan 

excerpts

In an interview a few years back with a Russian High End audio magazine, Vladimir Shushurin, proprietor and engineer of Lamm Industries, said, “From my point of view, the ideal audio review is when the reviewer has nothing to say.”  After a few months of listening to his M1.1 amps and L1 line-stage preamp, I’m tempted to take his cue and call it a night.  For these pieces of gear – to some degree separately, but especially together – capture music of all sorts, in all aspects, so wonderfully, so truthfully, that there really isn’t much to say except, “You like music?  You’ll like Lamm.”  

 

...When you go to a concert, you don’t note how deeply the bass goes or how the singer sounds like she’s in the same room with you.  Instead, you marvel at how deftly the bassist plays or how the singer’s voice makes you shiver.  That’s the difference, quite often, between going out to hear live music and staying home to have a hi-fi “listening session.”  And it’s the difference between listening to Lamm’s gear and listening to just about anything else I’ve run across.  

 

…At nearly $16,000 a pair for the amps and $7,000  for the line-stage, these are expensive pieces.  But if you’re interested in what hi-fi can do, in how close we have come to that elusive absolute, you must listen to the Lamms.

http://www.theabsolutesound.com