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STEREO SOUND (Japan), No. 116' 1995
Kojin Miura 

translation

Suddenly, a product from LAMM that was the talk of the recent Consumer Electronics Show has arrived in Japan.

LAMM INDUSTRIES, INC. is an up-and-coming manufacturer based in Brooklyn, NY. It is the brainchild of engineer Vladimir Shushurin, who is the company president.

Mr. Shushurin's profile is unique. He was born in 1945 in the former Soviet Union, and holds a PhD in electronics. After completing his studies in the Ukraine, he designed audio amplifiers that used vacuum tubes and solid-state devices. He had also done work in high-frequency television and military electronics. Mr. Shushurin, a music and audio equipment lover, moved to the U.S. in 1988. Looking to become more involved in audio engineering, he soon started to design high quality audio amplifiers.

Model M1.1 is the company's flagship model -- a monoblock power amplifier that is characterized by hybrid design combining vacuum tubes and MOS-FET output devices. Indeed, this design is the embodiment of president's ideal for hybrid audio amplifiers that combine high-quality vacuum tubes and solid-state components.

I tested the model using compact discs, with a Denon DP-S1 plus DA-S1, combined with an ST link and an Accuphase C290 preamplifier. The speaker system I used was a B&W 901/III with AudioQuest speaker cables (for clear sound).

Playing a female vocal track that I know well, I noticed that the centrally-focused voice was very firm. The texture of the voice was in no way vague or ill-defined. Rather, it was intense and highly satisfactory. I also listened to a choral piece recorded in a church, and I could feel the space and authenticity all the way to the corners of the stage. I imagined that the deviation between right and left monoblocks is quite small. The quality-control also appears to be excellent. In addition to the overall high quality, model M1.1 also has aesthetic characteristics that are peculiar to hybrid products. That is to say, the expression of the sound is very soft throughout all audible frequencies. The vacuum tubes undoubtedly take some of the credit for the polished sound -- as though every single tone was actually shined manually. But the effect on the listener is neither artificially expanded nor stuffy. Rather, the sound tone is exceedingly well-balanced, light, and bouncy. Even when low-pitched notes were concentrated together, they didn't become muddy. The instruments all achieved individual resolution in an organized manner.

This amplifier leaves an overall impression of speed and a contemporary feeling, but the underlying texture is classical and sensible. I felt that the engineering work was honest.

LAMM is not a big operation. It is more like a boutique manufacturer. I have the highest regard for LAMM's authentic products and their impressive hybrid characteristics.