This is the new one box Lamm LP2.1 phono preamplifier
This is the transcript of what I write earlier in the CES 2013 show report:
“Vladimir Lamm swapped back and forth between the LP2.1 phono stage (which debuted this show. photos on the inside of the chassis are posted below and will also be posted on Ultimist) and the more expensive LP1 Signature phono stage, several times by using the two tonearms on the TechDAS at the same time [say what? this was fun]. With two very slightly different cartridges it was a little bit of a Fuji apples to Braeburn apples comparison, but the short and quick is that if you didn’t hear them back to back (the more expensive LP1 being smoother, less grainy, and just more of that good old analog wonderfulness) you would think you were already listening to the LP1 when it was in fact the less expensive LP2.1 all along (the original LP2 has been a giant killer among phono stages here at the Fed, at least until you get up into the $20-$30K range of the competition)”
As I have continued to reflect on what we heard, the LP2.1 still seems like an amazing value, albeit the LP1 Signature an obvious choice if you have the money to spend.
As most of the multifarious competition continues to charge more and more outrageous prices for mediocre performance, new high value phono preamplifiers take their place. And all the while, the predictably high value Lamm LP2, now LP2.1, from a well-known, well-reviewed brand, just keeps on providing excellent music for your audiophile dollar, with the LP1 Signature continuing this tradition up into the stratosphere of phono preamplifier performance space.
Below are some photos of the static display of the open chassis LP2.1. As usual, I couldn’t decide which was best, so I included several.